Markus Lüpertz
(* 1941 Liberec)
1948 The family flees to the West. Lüpertz grows up in the Rhineland.
1956 – 1961 Studied at the Werkkunstschule Krefeld with Laurens Goosens and the Kunstakademie in Düsseldorf
1961 Lüpertz settles as a freelance artist in Düsseldorf
1962 Moves to Berlin; begins the so-called "dithyrambic painting".
1962 – 1969 Lives in Berlin and has run the Großgörschen Gallery since 1964.
1970 One-year stay at the Villa Romana in Florence
1975 Professorship at the State Academy of Fine Arts in Karlsruhe
1982 Designs for stage sets in the opera houses of Kassel, Ulm, Salzburg, Bremen, Düsseldorf
1984 Trip to New York
1986 He accepts a chair at the State Academy of Art in Düsseldorf and becomes its rector from 1988 to 2009.
1990 – 1915 Windows for the cathedral in Nevers
2000 Presentation of the cycle: Vespers in Hanover
Lüpertz lives and works in Berlin, Karlsruhe, Düsseldorf and Florence.
Markus Lüpertz combines legend and history at the same time.
While his contemporaries devoted themselves to Art Informel and Tachism, Lüpertz remained faithful to figurative painting after his training at the Werkkunstschule in Krefeld and the Staatliche Kunstakademie in Düsseldorf. His oeuvre began with "dithyrambic painting", whose philosophical and mythological approach was based on Nitzsche and the god Dionysus. His mysterious elements, combined with oversized figurative painting, generate euphoric enthusiasm in the viewer. This was followed in the 1970s by an intensive examination of German history in the "German motifs". Still life-like military objects are intended to evoke the past war in a new aura.
Since 1980, Lüpertz has also been active as a sculptor and designs sculptures. Mythological or literary heroes come to life in a new bronze countenance. The imperfection of the imperfect sculptures, painted in colour according to ancient models, is intended to uphold the memory of what was once sublime and perfect in art.
In addition to his work as a painter, Lüpertz also works as a stage designer, poet and theatre producer and was director of the State Academy of Art in Düsseldorf from 1986 to 2003. In his work, he combines his personal sense of humour with his rebellious way of breaking the rules. The result is a mysterious oeuvre that is both an approach to the world and an interpretation of it.
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